General overview:
– All Balanced inputs and outputs
– Twelve double channel inputs Mixer
– A/B input control
– 100 mm ALPS Sliders with Digital VCA control
– Six balanced mono Microphone input with phantom power with XLR connectors
– Twelve balanced stereo lines with RJ-45 connectors
– Four Digital AES/EBU input
– Digital Three band tone control all input channels
– TwoTelephone opto-coupled hybrid internally integrated
-Two Telco IN/OUT
– Meeting function on telephone hybrid (PGM, UTL, AUX and CUE)
– CUE Bus
– Three independent Balanced Analog Stereo Outputs (PGM, UTL and AUX)
– Two independent Digital AES/EBU Outputs (PGM and UTL )
– Control Room and Studio functions with monitor mode selector
– Control Room out with mute logic
– Internal USB Audio Board for extra versatility connection
– Output opto-coupled ON AIR command
– Totally shielded bus
– Digital TFT display 4,3” for monitoring & setup functions , Digital stereo led meters: PGM& CUE
– Tabletop mount or rackmountable 19”
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Technical Specs
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Frequency response 20Hz ÷ 15 KHz FM version
20Hz ÷ 20 KHz HD version
20Hz ÷ 10 KHz AM version
Stop band rejection > 78 dB beyond 17 KHz
Noise > 65 dB in all conditions (depends on the processing)
Total distortion < 0,01 %
Total system separation > 67 dB (30 Hz – 15 kHz)
ANALOG AUDIO INPUT
Configuration Left and Right
Impedance 10 K ohm / 600 ohm balanced
CMRR > 45 dB from 30 to 15 Khz
A/D Conversion 192 kHz sample rate
Sensitivity ±12dBu
Maximum input level +15 dBu
Connector XLR-type, female,
Pin 1 Chassis Pin 2 & 3 electronically balanced, floating and symmetrical
DIGITAL INPUT
Digital input configuration AES 3 professional (IEC-60958)
Digital AES 3 Input Impedance 110 ohm Balanced
Digital Optic Input Connector Phoenix
Digital AES 3 Input Connector XLR Female
Sample Rate Automatic lock 32 – 44.1 – 48 – 96 KHz
Resolution 24 Bit
ANALOG AUDIO OUTPUT
Configuration Left and Right. Flat or pre-emphasized (50μS – 75μS)
Impedance 30 ohm electronically balanced and floating
Minimum load impedance 600 ohm
Maximum output level +15 dBu into 600 ohm load
Connector XLR-type, male
Pin 1 Chassis, Pin 2 & 3 electronically balanced, floating and symmetrical
DIGITAL OUTPUT
Digital Output Sample Rate Software Selectable 32 – 44.1 – 48 – 96 KHz
Resolution 24 Bit
Digital Output configuration stereo AES 3 Transformer Balanced (IEC-60958)
Digital Output Impedance 110 ohm Balanced
Digital Output Level – 12.00 / 0 dBFS adjustable
Digital Output Connector XLR Male
STEREO GENERATOR (version MPX only)
Configuration one output
Pilot freq. 19 KHz ± 0.001% Max over temp.
Pilot injection +4 ÷ 12 %
Distortion < 0.005 % @1 kHz
Noise signal ratio 70 dB (Din Audio,Bypass mode) Typical
Stereo separation 60 dB Typical
Crosstalk Main to Sub Great 48 dB 30-15 kHz
Crosstalk Sub to Main Great 46 dB 30-15 kHz
38 kHz subcarrier suppression 70 dB Typical
76 kHz suppression 70 dB Typical
Composite audio level 0 ÷ 12dB
Connector BNC
Output impedance 50 ohm
DATA
Terminal Interface Ethernet / RS232- at rear, asynchronous
Data Input Full duplex
Format Selectable
Serial Transmission Speed 2400 ÷ 19600 baud
Connector RJ45 / RS232/ USB
Data management Microprocessor controlled
Non volatile memory Flash data retention 10 years
Logic I/O
Connector DB15 cannon female
GENERAL
Mains Voltage 90 – 260 Vac / 50 Hz full range
Dimension (WxHxD) 48,3 x 19,4 x 4,4 cm 1 rack unit
Weight 3,5 Kg.
Operating Temp. 0 ÷ 50° C.
Operating Humidity Max 95% non condensing
Mirage is an important name in the history of AEV Broadcast audio processors, and the thousands of units operating worldwide testify to the success of this device, for this reason it seemed right to continue with this name even with Digital Evolution.
