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Trialcom Mix-100 10 modulos

$4,700,000
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Its electronic construction includes, among its notable advantages, the use of SMD (Surface Montage Device) component mounting technologies, state-of-the-art VCA integrated circuits for audio control, balanced buses and great mechanical robustness.

The MIX-100 Console is totally modular, allowing multiple configurations from the simplest, with few modules, to the most complex of several interconnected hybrids.

This console also has the incorporation of ON AIR signaling, along with a high-precision clock that allows it to be interconnected to other clocks such as the RS-1 or the SAR-1 to synchronize with those installed in the Studio, and thus all connected to an RS-232 port of the PC, obtaining precision and time synchronization.

The Console is fully configurable.
Within the basic configuration it is possible to have 10 stereo modules in addition to the Control and Study Monitor modules of its two master output modules.
The input modules can be:
Stereo Microphone / Line Modules
Line / Line Stereo Modules
Hybrid telephone modules.

Master modules have output for:
Balanced stereo (Program 1 and Program 2)
Mono balanced output
It also has the possibility of directly entering audio (Direct In)

MIX-100 provides you with three different input modules (STEREO, MONO and TELCO)

The Mono / Stereo module offers two inputs, (Input A and Input B). Input A is programmed to handle microphone level and Input B is programmed to handle line level (electronically balanced stereo).

The STUDIO MONITOR module allows listening (in the studio's headphones and speakers) of the source selected by the six buttons PGM1, PGM2, SEND, AIR 1, AIR 2 and CUE.
The two potentiometers in the Studio section allow you to adjust the independent level of the Studio's speakers and headphones.

The CONTROL MONITOR module allows listening (on the Control's headphones and speakers) of the source selected by the six PGM1, PGM2, SEND, AIR 1, AIR 2 and CUE buttons.
The two knobs in the Control section allow you to adjust the level of the Studio or Control speakers and headphones independently.

Benefits


VCA audio control on all channels and master
100mm faders and 300,000 operating cycles
Electronically balanced buses
Stereo CUE / PFL speakers
Possibility to operate the microphones in group
Multiple signage available
Amplified monitor output
Setting for configurations as Speaker-Operator
Selectable phantom source for each microphone
Small size and easy installation, no table setting required
High-quality components used
Low maintenance guaranteed


Applications


Professional radio and TV audio studios
Audio editing or layout studies
Audio production studios.


accessories


MIC / LINE or LINE / LINE Input Modules
Telephone Hybrid Modules
Master Output Modules
The posters would be missing

Technical specifications


MICROPHONE INPUT MODULE SEC. TO
Input Type and typical level electronically balanced, -65 / -40 dB
Noise level referred to input -127 dBm
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
20 dB Gain control action
48 V DC Phantom Source
STEREO INPUT MODULE SEC. B?
Input type and typical balanced stereo level, -15 / +15 dB
Input level 0 dBm
20 dB Gain control action
Frequency Response 20 Hz - 20 kHz +/- 0.1 dB
STEREO INPUT MODULE SEC. A and B
Input type and typical balanced stereo level, -15 / +15 dB
Input level 0 dBm
20 dB Gain control action
Frequency Response 20 Hz - 20 kHz +/- 0.1 dB

TELEPHONE HYBRID MODULE


RJ-11 telephone line input
Standard RJ-11 telephone output
Type of hybrid bridge balanced by transformers
Rejection (@ 1 kHz) typical> 35 dB (depending on the phone line)
MASTER MODULE
Electronic balanced output type
Output level + 4 dBm balanced
Maximum output level +21 dBm balanced
Signal / Noise Ratio> 70 dB
Crosstalk L-R (@ 1 kHz / 0 dBm)> 70 dB
Distortion (@ 1 kHz / 0 dBm) <0.05%
SEND OUT balanced mono output + 4 dB
DIRECT IN stereo input unbalanced 0 dB

MONITORING MODULES


Headphone output operator
Output power 0.25 W (max @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Load impedance 8 O / 4 O (typical 32 O)
Studio headphone output
Output power 0.25 W (max @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Load impedance 8 O / 4 O (typical 32 O)
Cue Amplifier
Output power 0.5 W (max. @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Built-in Talking Transducer 2.5 "
External CUE output 0.5 W (max. @ 8 ohm)
Monitor Control and Study outputs
Output power 0.25 W (max @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Load impedance 8 O / 4 O (typical 32 O)
Cue Amplifier
Output power 0.5 W (max. @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Built-in Talking Transducer 2.5 "
External CUE output 0.5 W (max. @ 8 ohm)
Monitor Control and Study outputs
Output power 1 W (max. @ 8 ohm)
Frequency response 20 Hz - 20 kHz +/- 0.1 dB
Load impedance 8 O / 4 O (typical 32 O))
Signal / Noise Ratio> 70 dB
Crosstalk L-R (@ 1 kHz / 0 dBm)> 70 dB
Distortion (@ 1 kHz / 0 dBm) <0.05%
AUXILIARY outputs and inputs
Program 1 and Program 2 AUX unbalanced stereo 0 dB
AIR 1 and AIR 2 inputs unbalanced stereo 0 dB
general
AC 220 V power supply (50 / 60Hz +/- 10%)
110 V AC optional
Dimensions: 800 x 600 x 60a 180 with turret
Weight: 22 kg
Product weight with packaging: 26 kg

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